Born Toronto, 1966

AOCA, Ontario College of Art, Toronto, 1989




2005

Angela Leach Shimmy, Doris McCarthy Gallery, Toronto, Ontario

Angela Leach Skip, Durham Art Gallery, Durham, Ontario

Angela Leach Paintings, Owens Art Gallery, Sackville, New Brunswick

2004

Angela Leach Shimmy, Rodman Hall Arts Centre, St. Catharines, Ontario

New Works, State Gallery, Vancouver, British Columbia

Angela Leach Paintings, Southern Alberta Art Gallery, Lethbridge, Alberta

Abstract Repeat Series – New Paintings, Wynick/Tuck Gallery, Toronto

2003

Angela Leach Shimmy, Cambridge Galleries, Cambridge, Ontario

2001

New Paintings, Wynick/Tuck Gallery, Toronto

1999

Abstract Repeat – New Paintings, Wynick/Tuck Gallery, Toronto




2005

You Don’t Want To Miss That Shit, Contemporary Painting at the Gladstone, Gladstone Hotel, Toronto

Dimensionality, YYZ Artists' Outlet, Toronto

The Transformative Power of Art, Art Gallery of Ontario, Toronto

Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York

Informal Ideas 04:05, (please press landscape), Wynick/Tuck Gallery, Toronto

Illusion, Halde Galerie, Widen, Switzerland

Big Show, 1139 College Street, Toronto

2004

Representing Abstraction – paintings from the Hart House permanent collection, Justina M. Barnicke Gallery, Toronto

Summer Showcase No. 1, State Gallery, Vancouver

Vivid, University of Waterloo Art Gallery, Waterloo, Ontario

2003

The Big Abstract Show, The Painting Center, New York, New York

Hard Curves – Soft Points, State Gallery, Vancouver

Technicolour, Edmonton Art Gallery, Edmonton, Alberta

2000

Visual Stimulants, Contemporary Art Gallery, Vancouver

1999

Translinear, McMaster Museum of Art, Hamilton, Ontario

1998

Layers, Wynick/Tuck Gallery, Toronto

1997

Rococo Tattoo: The Ornamental Impulse in Toronto Art, The Power Plant, Toronto

1996

Perspective 96, Art Gallery of Ontario, Toronto

Fast, Painting Disorders Collective, Toronto


2005

Julia Dault, “Avenue at the Galleries”, National Post (October 6)

Gary Michael Dault, “Journey through the Wall and Back Again”, The Globe and Mail (Sept. 17)

R M Vaughan, “Big Picture - op-art redux”, National Post, (September 17)

Susanna Vanek, “Logik und Intersität der Farben”, Freiamt Aargauer Zeitung (June 2)

Matthew Van Dongen, “It’s art that can make you sick”, St. Catharines Standard (December 30)

2004

Corinna Ghaznavi, “Rewind”, Canadian Art (Summer)

Peter Godard, “Galleries awash in winter abstractions”, Toronto Star (February 26)

Betty Ann Jordan, “February at a Glance”, Toronto Life (February)

Adam McDowell, “Toronto artist is turning heads”, Toronto Observer (February 26)

2003

Gilbert Bouchard, “New techniques yield new art”, Edmonton Journal (March 28)

Julia Dault, “Illusions to caress the eyes”, National Post (October 23)

2001

Deirdre Hanna, “Leach’s Lines”, Now Magazine (May 17)

Joanne Huffa, “Arts: Best Bet”, Eye (May 17)

2000

Elee Kraljii Gardiner, “Editor’s Choice”, Vancouver Magazine (September)

1999

Gary Michael Dault, “Gallery Going”, The Globe and Mail (September 4)

Betty Ann Jordan, “Adventures in Art”, Where Toronto (September)

1997

John Armstrong, “Disorderly Conduit”, Border Crossings (Volume 16, #2)

John Bentley Mays, “Unnatural art beats tattoo on the soul”, The Globe and Mail (July 12)

Catherine Osborne, “Perspective 96”, Parachute (#87)

1996

Blake Gopnik, “Young Painters Look Backward”, The Globe and Mail (November 23)

2005

Emily Falvey and Gordon Hatt, Angela Leach Paintings, Southern Alberta Art Gallery, Lethbridge, Alberta

2004

Carol Podedworny and Virginia M. Eichhorn, Vivd, University of Waterloo, Waterloo, Ontario

Sarah Stanners, Representing Abstraction – paintings from the Hart House permanent collection exhibition folio, Justina M. Barnicke Gallery at Hart House, University of Toronto, Toronto, Ontario

2000

Keith Wallace, Visual Stimulants, Contemporary Art Gallery, Vancouver, British Columbia

1999

Ihor Holubizky, Joseph R. Wolin, David Moos, Translinear, McMaster Museum of Art, Hamilton, Ontario

1997

Philip Monk, Rococo Tattoo: The Ornamental Impulse in Toronto Art, The Power Plant, Toronto

1996

Jessica Bradley, Perspective 96, Art Gallery of Ontario, Toronto

 

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